Saturday, August 1, 2020

Charisma at the Crossroads at Alice Young Arts Center at Drew University

I have been moving. So, I am just sharing photos from the production of my play CHARISMA AT THE CROSSROADS at the Alice Young Arts Center at Drew University, directed by Lisa Brenner with co-director Kimani Fowlin. Sitting in the audience and watching my writing come to life was one of my favorite experiences as an artist in 2018.The play will be published in an anthology of plays for BIPOC youth in 2021 on Bloomsbury. Loved working with youth artists from Newark, NJ for this!




Tuesday, January 16, 2018

Review of Visionary Aponte Exhibition in BOMB Magazine

My visual poem "Invocation for Jose Antonio Aponte: Lamina 26" was part of the Visionary Aponte exhibition at Little Haiti Cultural Center for Art Basel-Miami. Really enjoyed working with inde film-maker Toshi Sakai on this project. And I am simply honored to be in community with fierce visual artists I admire and respect while illuminating Aponte's urgently relevant history of resistance and power in Cuba. Our present time demands that we invoke this communal spirit as we move forward as diaspora. Big thanks to Tosha Grantham for pulling us together on the one. The exhibition is moving to NYU's King Juan Carlos Center on February 22nd. Check out the exhibition review in BOMB magazine ...
https://bombmagazine.org/articles/reanimating-history-visionary-aponte-art-and-black-freedom/

Thursday, January 11, 2018

Got a chance to talk about the connection between art and activism with Margaret Prescod on Soujourner Truth Radio  ...
https://soundcloud.com/sojournertruthradio/black-women-artists-for-black-lives-matters-nina-angela-mercer-on-connecting-art-activism

Wednesday, September 20, 2017

On Performance and Black Theatre: An Interview with Playwright Nina Angela Mercer, a repost of JT Roane's interview in PERSPECTIVES, published by AAIHS

Talking to my brother, scholar J.T. Roane, is always rich with gems, especially over fries at my favorite diner in the Bronx. Check it out.

http://www.aaihs.org/on-performance-and-black-theatre-an-interview-with-playwright-nina-angela-mercer/

Taking the Road with Ebony Noelle Golden's 125th and Freedom - A Recap and Call to Join the Tribe

Check out my experience witnessing, walking, and strategizing with the 125th and Freedom Tribe at the link ...

https://medium.com/@ninaangelamercer/taking-the-road-with-ebony-noelle-goldens-125th-and-freedom-ef4da537f3d2


That Artist, Scholar, Witness Life ... Recent Publications with Links!

Check out a few of my most recent on-line publications. There's variety here - my own chorepoem, a scholarly essay in a peer review journal, and a recap of a dope street performance that's happening one more time in Harlem at the end of this week.

http://www.wocninc.org/wp-content/uploads/2016/07/VOICESCall.jpg
*My choreopoem ITAGUA MEJI: A Road and A Prayer is published in this issue of Voices online magazine, #SayHerName Edition.

http://continuumjournal.org/index.php/108-volumes/issues/vol-4-no-1/4-1-articles/156-performance-as-participatory-policy-making-taja-lindley-s-trinity-black-life-as-burlesque
*My essay Taja Lindley's TRINITY, Black Life as Burlesque is published in the current issue of Continuum: The Journal of African Diaspora Drama, Theatre and Performance

https://medium.com/@ninaangelamercer/taking-the-road-with-ebony-noelle-goldens-125th-and-freedom-ef4da537f3d2
*My recap of what it was like to witness Ebony Noelle Golden's 125th and Freedom in Harlem.

Back to the grind, y'all. One love. You can also find excerpts of my play GYPSY & THE BULLY DOOR in back issues of Black Renaissance Noire and The Killens Review of Arts and Letters. More print and on-line goodies coming soon!


Tuesday, May 30, 2017

Changing Perceptions Theatre Company Celebrated the birthdays of Lorraine Hansberry & Malcolm X at The Langston Hughes House in Harlem on May 19th, 2017!

It was definitely an honor to get a call from Shaun Neblett, founder and director of Changing Perceptions Theatre Company, asking if I'd write a monologue for the annual birthday party for Lorraine Hansberry and Malcolm X at the Langston Hughes House in Harlem. Both Lorraine and Malcolm have been inspiration, influencing my walk on this road. I keep a portrait of Malcolm in my foyer; my father painted it in 1969. And I have this dope memory of reading his speeches from the By Any Means Necessary collection purchased at DC's Pyramid Book Store when I was 17 years old, staying up late at night before school just to gain deeper understanding of my place in the world through Malcolm's vision. But I selected Lorraine's words for my writing inspiration this time around, because I have often wondered what she would have written, what she would have had to say, what she would advise in these chaotic times. I did not get a speech or letter to work from. Instead, I had her musings from private notes, a list of "likes" and "regrets." I was moved by the intense loneliness, passion, and commitment in her personal thoughts, a woman holding intense love for her craft, community, and self, even through the contradictions. I found a beautiful woman in the midst of becoming ... And, to get to share work at the Langston Hughes House - me, a woman who grew up reading Langston's Jesse B. Simple stories with my dad on Sunday drives through the city? Well, that is just all the goodness. Right on time.
 Celebrating the birthdays of Lorraine Hansberry and Malcolm X at the Langston Hughes House!
 Kymbali Craig performs SPARROW by Nina Angela Mercer, a monologue inspired by Lorraine Hansberry's notes archived at The Schomburg Center.
 Kymbali Craig in SPARROW, a monologue by Nina Angela Mercer
 Packed house!