windows, doors, closets and drawers . . .

a blog by Nina Angela Mercer

Saturday, August 1, 2020

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ItaParica and Sky, 2020 Praia Paciencia - Rio Vermelho, Salvador da Bahia, Brasil 2020 After sunrise - Festa da Iemanja, Rio Verm...

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Still from my video poem "Invocation for Jose Antonio Aponte"

Charisma at the Crossroads at Alice Young Arts Center at Drew University

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I have been moving. So, I am just sharing photos from the production of my play CHARISMA AT THE CROSSROADS at the Alice Young Arts Center...
Tuesday, January 16, 2018

Review of Visionary Aponte Exhibition in BOMB Magazine

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My visual poem "Invocation for Jose Antonio Aponte: Lamina 26" was part of the Visionary Aponte exhibition at Little Haiti Cultura...
2 comments:
Thursday, January 11, 2018

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Got a chance to talk about the connection between art and activism with Margaret Prescod on Soujourner Truth Radio  ... https://soundcloud.c...
Wednesday, September 20, 2017

On Performance and Black Theatre: An Interview with Playwright Nina Angela Mercer, a repost of JT Roane's interview in PERSPECTIVES, published by AAIHS

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Talking to my brother, scholar J.T. Roane, is always rich with gems, especially over fries at my favorite diner in the Bronx. Check it out. ...
1 comment:

Taking the Road with Ebony Noelle Golden's 125th and Freedom - A Recap and Call to Join the Tribe

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Check out my experience witnessing, walking, and strategizing with the 125th and Freedom Tribe at the link ... https://medium.com/@nina...
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About Me

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nina angela mercer
the bronx, new york, United States
I am a cultural worker. My plays include GUTTA BEAUTIFUL (The Warehouse Theatre, The Woolly Mammoth, Abrons Arts Center, Little Carib Theatre); ITAGUA MEJI: A Road & A Prayer (Brecht Forum, Alternate Roots, Rutgers University Newark and New Brunswick, The Nuyorican Poets Café); GYPSY & THE BULLY DOOR(The Warehouse Theatre, the former Dumbo Sky); ELIJAHEEN BECOMES WIND (Anacostia Arts Center); CHARISMA AT THE CROSSROADS (Alice Young Arts Center); SPARROW (The Langston Hughes House); A COMPULSION FOR BREATHING (Schomburg Center, Target Margin Theater), and MOTHER WIT & WATER-BORN (in development at Drew University). My writing is published in The Killens Review of Arts & Letters; Black Renaissance Noire; Voices Magazine #SayHerName Edition; Continuum: The Journal of African Diaspora Drama, Theatre, and Performance; Break Beat Poets Vol 2: Black Girl Magic (Haymarket Press, 2018); Are You Entertained? Black Popular Culture in the 21st Century (Duke University Press, 2020); Performance Research Journal; and the upcoming Represent! Plays for Multicultural Youth (Bloomsbury, 2021). I live to dance, make devotional gris gris, & a way out of no way.
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